Mind map of range of ideas
Lyric annotation
Music video idea pitchWe plan to redo our powerpoint/pitch because our original idea had already done by somebody else and 'The day I died' by Just Jack was too much of an illustrative music video it was difficult to think of a new idea. So we now plan to use 'Take me to church' by Hozier. |
The day I died - Just Jack
link song here
|
Take me to church - Hozier
link song here
|
Shooting script
Filming in black and white
Abi looks directly into the camera and smiles beginning laugh
A sly smirk is given and she begins to turn and walk away
(distorted audio of these lyrics
‘My lover's got humour
She's the giggle at a funeral
Knows everybody's disapproval
I should've worshipped her sooner’)
Filming in black and white
Tilly looks up at the sky and begins to lip sync whilst looking distraught
‘If the heavens ever did speak
She's the last true mouthpiece
Every Sunday's getting more bleak
A fresh poison each week’
Filming in black and white
Emma Lip sync ‘We were born sick, you heard them say it’
Cut to a church, pan from left to right and slowly track in.
Cut to panorama of the interior of the church (whilst there's distorted audio of the song:
‘My church offers no absolutes
She tells me, "Worship in the bedroom."
The only heaven I'll be sent to
Is when I'm alone with you’)
Filming in black and white
Cut to a cross, track in
Cut to a figure walking towards it. The figure's face is unrecognisable
(Distorted audio:
‘I was born sick
But I love it
Command me to be well
Aaay. Amen. Amen. Amen’)
Filming in black and white
Henri lip sync ‘Take me to church, I'll worship like a dog at the shrine of your lies)
Cut to a panning in shot of a knife being sharpened
Pan around kitchen
Whilst looking distressed lip sync ‘Offer me that deathless death, Good God, let me give you my life’
Filming in black and white
Tilly lip sync ‘If I'm a pagan of the good times’
Cut to a black and white shot of the sun
Using a establishing shot present the surroundings
Close up of face to show emotion
Distorted audio partially
(‘If I'm a pagan of the good times
My lover's the sunlight
To keep the Goddess on my side
She demands a sacrifice’)
Filming in black and white
Cut to footage of waves in the ocean
Cut to a tracking in shot of keys
Distorted audio
(‘Drain the whole sea
Get something shiny’)
Abi lip syncing to (‘Something meaty for the main course
That's a fine-looking high horse
What you got in the stable?
We've a lot of starving faithful’)
Filming in black and white
Panorama of kitchen
Distorted audio:
(‘That looks tasty
That looks plenty
This is hungry work’)
Filming In black and white
Cut to a unreconcilable figure walking at a distance
Slowing tracking into the figures face to reveal a girl hiding her face with a scarf
Long shot of the girl entering the church and taking a seat
Extreme close up to show emotion
Distortable audio throughout:
(‘Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins so you can sharpen your knife
Offer me my deathless death
Good God, let me give you my life’)
Filming in black and white
Emma lip sync:
(‘No Masters or Kings
When the Ritual begins
There is no sweeter innocence than our gentle sin’)
Cut to an unrecognizable figure sat on the ground beginning at extreme long shot
Track into mid shot
The face which is covered by a scarf stares blankly into the camera
Distorted audio throughout:
(‘In the madness and soil of that sad earthly scene
Only then I am human
Only then I am clean
Ooh oh. Amen. Amen. Amen’)
Cut to unrecognisable figure leveling the church, looking intently at the floor
Mid Shot throughout the walk home
Extremely slowing tracking in and in until there is no view
End on a black screen
Distorted audio throughout:
(‘Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life’)
Abi looks directly into the camera and smiles beginning laugh
A sly smirk is given and she begins to turn and walk away
(distorted audio of these lyrics
‘My lover's got humour
She's the giggle at a funeral
Knows everybody's disapproval
I should've worshipped her sooner’)
Filming in black and white
Tilly looks up at the sky and begins to lip sync whilst looking distraught
‘If the heavens ever did speak
She's the last true mouthpiece
Every Sunday's getting more bleak
A fresh poison each week’
Filming in black and white
Emma Lip sync ‘We were born sick, you heard them say it’
Cut to a church, pan from left to right and slowly track in.
Cut to panorama of the interior of the church (whilst there's distorted audio of the song:
‘My church offers no absolutes
She tells me, "Worship in the bedroom."
The only heaven I'll be sent to
Is when I'm alone with you’)
Filming in black and white
Cut to a cross, track in
Cut to a figure walking towards it. The figure's face is unrecognisable
(Distorted audio:
‘I was born sick
But I love it
Command me to be well
Aaay. Amen. Amen. Amen’)
Filming in black and white
Henri lip sync ‘Take me to church, I'll worship like a dog at the shrine of your lies)
Cut to a panning in shot of a knife being sharpened
Pan around kitchen
Whilst looking distressed lip sync ‘Offer me that deathless death, Good God, let me give you my life’
Filming in black and white
Tilly lip sync ‘If I'm a pagan of the good times’
Cut to a black and white shot of the sun
Using a establishing shot present the surroundings
Close up of face to show emotion
Distorted audio partially
(‘If I'm a pagan of the good times
My lover's the sunlight
To keep the Goddess on my side
She demands a sacrifice’)
Filming in black and white
Cut to footage of waves in the ocean
Cut to a tracking in shot of keys
Distorted audio
(‘Drain the whole sea
Get something shiny’)
Abi lip syncing to (‘Something meaty for the main course
That's a fine-looking high horse
What you got in the stable?
We've a lot of starving faithful’)
Filming in black and white
Panorama of kitchen
Distorted audio:
(‘That looks tasty
That looks plenty
This is hungry work’)
Filming In black and white
Cut to a unreconcilable figure walking at a distance
Slowing tracking into the figures face to reveal a girl hiding her face with a scarf
Long shot of the girl entering the church and taking a seat
Extreme close up to show emotion
Distortable audio throughout:
(‘Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins so you can sharpen your knife
Offer me my deathless death
Good God, let me give you my life’)
Filming in black and white
Emma lip sync:
(‘No Masters or Kings
When the Ritual begins
There is no sweeter innocence than our gentle sin’)
Cut to an unrecognizable figure sat on the ground beginning at extreme long shot
Track into mid shot
The face which is covered by a scarf stares blankly into the camera
Distorted audio throughout:
(‘In the madness and soil of that sad earthly scene
Only then I am human
Only then I am clean
Ooh oh. Amen. Amen. Amen’)
Cut to unrecognisable figure leveling the church, looking intently at the floor
Mid Shot throughout the walk home
Extremely slowing tracking in and in until there is no view
End on a black screen
Distorted audio throughout:
(‘Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life’)